Relics of a Journey to America

Tuesday, February 2, 2010

By Holly Peralta-Howe


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These high heel shoes were strapped to my mother’s feet the first time she stepped onto American soil.  They are neutral colored with dark brown leathery toe and ankle straps, light tan soles, and polished-wood three-inch heels.  The brand is now worn off and illegible, but mom claims they were an expensive designer pair – unavailable in America. This pair of shoes was the first of my mom’s possessions to touch America, and the last of her possessions to touch the Philippines, her country of origin. The heels resemble the Philippines islands with their bamboo-themed coloring, delicate shape, and tropically appropriate fit; the thick strap that holds the toes has a criss-cross weaved design that echoes the awnings of old-fashioned Filipino homes (a style adopted during the Spanish colonization of the islands).  I do not know what size they would be in the Philippines, but in America the heels are a size 6; I know this because they fit my feet perfectly.

Mom arrived in 1980, she was twenty-three years old, a chemical engineering graduate of the University of the Philippines, and her father’s “flagship.”   These age-appropriate heels were one of her favorite pairs and she continued to wear them during her life in America until a sufficiently-paying career at Raychem Corporation enabled her to purchase more shoes. However, she preserved this pair because she knew the sentimental value of the heels which click-clacked her through customs and escorted her into the United States.

I endowed these heels with much sentimental value and respect when I came across them while searching through my mom’s closet for a pair of heels to match my senior prom dress.  I was seventeen when I remembered the story behind the shoes.  My mom first showed them to me when I was about ten years old; I was still very young and did not understand the hardships of immigration, and fathoming that my mother came from a different world than the one I was growing up in was beyond my preteen mentality. In the years between that moment and the moment when I was standing on a chair in my mom’s closet (holding the shoebox I had plucked from the top shelf, looking down at the cradled tan wooden heels nestled in white tissue), I had been educated about immigration.  I was old enough to imagine the hardships and attempt to understand others’ points of view.  I had witnessed two of my mom’s siblings and their families immigrate and pursue the American dream.  As I thought about the significant moment these heels exemplified, I just had to try them on!  I pushed my toes into the awning-like band and buckled the straps around my ankles.  I proceeded to walk around in them, feeling the comparison between the shape of my feet and the mold of my mother’s twenty-three-year-old feet. Despite my inexperience wearing high heels, and the wobbly awkwardness of walking with them on carpet – they fit perfectly. The shoes symbolized the world my mom came from; furthermore, they represented he woman she was when she arrived here.

The American dream of working in a profession, owning property, and establishing roots was the young woman’s goal.  She pursued graduate studies at San Jose State University, but did not complete her master’s degree because during the program she became pregnant with me. However, she has moved up in the same company for over twenty years, owns a home of her own, has established roots, and even helped her successive siblings start their lives in America. All of this is easily known, but grasping the feelingof immigrating is essential to connecting with the experience of it. Immigration begins many stages before the airplane touches down; she never explicitly said so, but I am aware that the experience is significant in my mom’s life, and has everything to do with my own.

It is difficult to see the world through anyone else’s eyes but our own because the only way we’ve experienced the world is through ourselves. It was an amazing feeling to literally and figuratively be in my mother’s shoes.  I left the shoes on for a while and sat down on the chair I was standing on when I discovered them.  I imagined her saying good-bye to everyone and everything she knew before she stepped on the plane. I imagined that during the long trip she removed the heels for comfort, but they stayed by her side the entire fifteen-hour journey over the Pacific Ocean, and sometime before landing she placed them back on.  I got goose bumps as I felt the apprehension, homesickness, and determination she must have felt on her way here. I imagine the woman she was before she had me – a young adult Filipina immigrant, educated, and ready to work hard.  As I envisioned her toes anxiously pressing against the floor of the descending aircraft, I thought I could feel the anticipations of immigration sedimented into the soles of these shoes. This tangible evidence of my mother’s immigration made her experience real for me, and I gained appreciation for the decisions she made which led to my life.  

I am now twenty-two years old, almost the same age as my mom when she immigrated.  I am not going through the same experiences, but when I look at the heels or try them on, I feel a strong connection between who I am now and who she was then. We are both educated, young, Filipina women, apprehensive about our ambitions in this country. As the first American-born child in my family, it is my turn to be the “flagship.”  It is difficult to see our parents as the people they were before us, but these heels gave me a new perspective on my mother that I may not have been able to obtain through photographs or other media. When I place them on and I imagine that I am her walking into this country, I feel my origin in the shoes. The heels had no part in my mom’s decision to come to America, but they are a relic of her journey and epitomize the experience of my mom’s immigration.  These heels provide a medium for me to connect with a previous generation and experiences I may never have first-hand; when I channel the twenty-three-year-old woman my mother was when she entered this country, I can feel how these shoes broughtme here too. Whether it was at the level of chromosomes or the higher powers of destiny, I was a piece of my mom at the time of her immigration that she brought here and rooted in American soil.  Just like the stages of immigration begin long before the plane lands, my life began many stages before I was born. The heels not only connect me to my mom’s experience, they illuminate my own existence.

"The Most Beautiful Dress"

Sunday, January 24, 2010

Share Marcia Munich's love for fashion and become entranced by "The Most Beautiful Dress."

When I was 5 years old,I embarked on my first adventure into the "World of Fashion".

Having seen a dress in the window of a small children's shop in Tuscaloosa, Ala. a week earlier, I invited my friend and neighbor, Frank (also 5 years old), to accompany me to view this example of Haute Couture for "little people".

WITHOUT parental permission and TOTALLY against ALL my mom's rules, Frank and I started out to see "The Dress".

The shop was about a half a mile from my house--through 2 busy intersections over railroad tracks and into the Jitney Jungle (a grocery store) shopping center. We navigated the trail without incident, walked into the store, and straight to the size 6X, light blue organza dress with pastel plaid ruffles around the neckline and hem. The attached petticoats billowed under the soft layers and I turned to my little friend, Frank, and said "Isn't this the most BEAUTIFUL dress you have ever seen?" (I don't remember Frank's response)--Nor do I remember the shop owner's comments or response.

However, two days later, my mother called me inside as a package had arrived for me.I opened it and there was "the most beautiful dress".

Years later my mother told me that the shop owner was so over-whelmed by my enthusiasm for "just viewing" the dress that she decided that I MUST have it.

The moral to my litlle story is that sometimes "just looking" means a lot more that "just looking"!

Marcia Munich

My Senior Prom Dress

Wednesday, January 20, 2010

Prom season is coming up in a few months and we all get nostalgic about that one memorable moment in our lives. Read on to discover how a prom memory is kept alive throughout the years!

Story by Jaine Flanagan


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I still have it -- it's in a cedar chest in my living room. I bought it for $15 on sale in 1954. It was originally $150 and was reduced to "get it sold." It was a limp rag when I tried it on, but I knew it had possibilities. The dress was purest white -- it was a strapless straight-across bodice with a beautifully finished waistline of piped fabric. The skirt, ahhh now that was the vision. . . the fabric was starched, eyelet organdy. I said it was purest white, but that was actually only in my mind -- I could see the finished product yet to behold.

I stood in the dressing room and the sales lady zipped up the back. It fit me perfectly, but it was a little long. She said quickly, "not to worry" and left the room. Thirty seconds later she swished back in and asked me to step into a hoop with a large, round bottom with two levels of stays. The perfect dress slid down over the hoop and it was magnificent...layers of ruffled eyelet organdy, each row about 7 inches wide all-round the dress, one just slightly touching over the next layer all the way down now sublimely barely touching the floor with the final row of eyelet just kissing the carpet. I stood and looked at it. At $15 it needed a bit of touching up -- I could tell it had been tried on many times. A bit grimy from the handling, but oh those possibilities.

I took it home -- Mother said, "Well, we have to wash it." And we did.Ivory Flakes.We washed the fine cotton pure white eyelet organdy dress with all the layers and ruffles in a slow washing machine -- Now this was an old wringer washer, not even a modern one. She knew how to do it, and she asked my godmother to iron it. Coletta spent a good couple of hours on that special dress, touching the hot iron to each tuck in the ruffles with careful, practiced hands.

Finally it was finished. It had a tiny bolero jacket to wear over the strapless top -- mandatory for girls in 1954 -- and it just set off my white pristeen ball gown perfectly. My date picked me up and brought me an orchid which I thought. . . well, the line about "gilding the lily" came to mind. I looked sensational, I had a wonderful sweeping entrance and the whole evening was showing off how wide my hoop skirt could swing.

Move forward,a bunch of years to 1982 and my youngest daughter Marilyn (having played dress-up in the gown many times) said, "Mom do you thing we can refurbish "the dress" for my prom? She took it to someone who added a blue ribbon to the waist and took off one row of the ruffled skirt making it cocktail length. She too, washed the dress, ironed it with a steam iron very carefully produced the newest version. She was a dream in that dress and had great fun telling her friends what she was wearing. Hey, this was my mom's prom dress. She did not wear the hoop.


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The dress is a treasure and awaits yet another generation of granddaughters. Good things last.

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Friday, January 15, 2010

As you can tell, we're working hard on the blog, Twitter, and now-Facebook!  Stay in touch with us!




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xoxo,
Style Girl

Notes from Nicole

We're all about go green here at The Wardrobe! What about recycling clothes though?  Ever thought about it?  Take a look at a short story from Nicole from Withee, Wisconsin!

This past Monday morning, I was suffering from a bit of post-Christmas blues.  All the holiday hubbub is over, the Christmas cookies are all gobbled up (which doesn't take long in our house), Christmas songs have left the air waves and the holiday greetings have left the lips of friends, family and store keepers, not to return until December 2010.  It's just plain old winter from this point on.  Cold, frigid January has taken hold of our lives with an icy grip.


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As I expected, working up the gumption to layer on the winter garb and face the frigid weather has been a bit tougher these days.  I think that all holiday eating has put my body into hibernation mode.  but cows need to be fed and milked twice a day so late the layering commence.  Once out in the elements and bundled up to the correct comfort level, things are just fine.

Speaking of layering of clothes, farmers truly know how to get the most bang for their buck when it comes to clothing.  In my household and I know many thrifty farmers will agree, farmer clothes live a long, fruitful life. 

When clothes are first brought home from the store they are in stage one.  These good clothes are worn to town and appropriate for public viewing.  clothes last in this stage probably the least amount of time.

Once these clothes get a bit worn or stained they go into stage two-house clothes.  these homebound clothes, which are not suitable for public show, are worn just sluffing around the house.  Since farmers get very few visitors that just pop in unexpected, we really don't care what we look like.  Holes, tears, stains just add to the comfort and generally are fair game for household attire.  Stacy and Clinton would be appalled.

Now, once stage two clothes become too gnarly for household wear but still not pathetic enough to get rid of, they move on to stage three-barn clothes.

Barn clothes, although not a pretty sight, still have a lot of wear in them.  As long as the holes are not too big to be patched, they could live on in the stage three for years.  Some crafty farmers who are not afraid of little or even gaping holes in their clothing get even longer wear of these holey togs.  Creative layering is used to cover exposed skin from the gaping holes.  If you have a large hole in the heel of your sock, a clever fellow would simply wear another sock over it that has a hole in the toe instead.

Creative patching is also utilized in this stage.  I have seen barn jeans that consisted of less than 20% of their original material-the rest if held together with large swatches of stage there clothes in their final hour.  Some really creative patchers skip the hassle of threading a needle altogether and go crazy with the duct tape.  why not, you get the extra benefit of having waterproof patches.

Now that I think of it, there is actually a stage four in the process of recycling but it is no longer considered clothing.  the scraps of clothing that survive to stage four are recycled into rags of all kinds.  Barn rags, shop rags, dusting rags or may be used to fill a gap in the silo room wall.  From there they finally rest in pieces int he bottom of a fiery burn barrel.

If everyone had this conscience mentality when it comes to recycling-our land fills would be mole hills instead of mountains.  Well the sun has gone down, the air is cold as sin and it is time for me to don my stage three clothes-carefully and strategically layering so all the holes are covered and head out to do night chores.  Keep warm all!

Feature: Meet the Queen of Green!

Look at what we've stumbled across!  And here we thought Heather was the "Queen of Post-Its"! 
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Meet the "Queen of Green"

By Heidy Kellison | Special to The Enterprise 


Is it just me, or have you noticed that old Bing Crosby classic is suddenly out of tune?

It's true: White Christmases are out and green Christmases are in. Just ask a group of volunteers who've brainstormed innovative holiday giving ideas with the Davis Chamber of Commerce. (Look for the world in a bow athttp://www.davischamber.com.) And for those who suffer from Shopper's Fright, consider purchasing a downtown Davis green shopping gift card, which can be used at more than 200 community retailers and restaurants.

As the Queen of Shopping, such ideas inspire me. It is now my duty to acknowledge another royal, The Queen of Green - as if she needs an introduction.

Heather Caswell, owner of The Wardrobe at 206 E St., recites the virtues of green shopping like a well-loved Christmas play, except she's not acting. For her it's conscientious trendsetting - sacred commerce. A recent visit reveals why.

Let's start with 2009's gift of the year: Silk scarves by local designer Susan Eastman. These organically dyed beauties go anywhere, dressed up, or dressed Davis. The only thing more appealing than their luxurious warmth (a taunting thought as I watch the temperature dip below 30, once again) is how easily they machine wash and dry.

Looking for something with extra sparkle? Try anything by Sofia and Chloe. Conventional instinct would save these California jewels for special occasions, but absent federal relief, I've given up on fancy events and have taken to wearing them with jeans, invigorating old looks. I do the same with local designer Nancy Shapiro's silver selections, and my latest love, M. Tracy's show-stopping crystals, also from Davis. A touch of glam does wonders for seasonal affective disorder. Now that's a stimulus package I hope you'll find under your tree!

The Wardrobe also carries familiar clothing lines like Eileen Fisher, concentrating on organic, sustainable and fair trade pieces. And this spring, look for great travel wear in bamboo.

Clothing is organized by color, which can be disquieting to some, but it's a practice I endorse for its surprisingly green outcome. A friend once arranged my closet in this manner, and uncovered my hidden fetish: white pants. I could reason a lady really does need five pairs of white pants, but we all know this argument ends with a man and a clipped discussion about retirement plans. In all honesty, I believed I had only one pair because the others were all shoved into little forgotten snowballs. Now that my closet is color-coded, I've managed to stifle my white-pants fixation. Conscientious shopping - Heather (and the guys) would be proud.

It's easy to feel guilty when tempted by fashion, especially now, but life can and should be full of beauty, just as much as it will be challenged by hardship. 'Fashion is about fantasy,' Heather says. And she should know. She's been engaging the imagination of Davis for 22 years ... nearly as long as many kids have been bribing Santa with cookies. (We calculate business longevity like dog-years here.)

There's no doubt about it, our community has enormous, green talent. And why not? If you can make it here, you can make it anywhere because, as we all know, New York has nothing on Davis.

I guess that means Frank Sinatra can join Bing in the compost pile.

Thanks for the feature, Heidy!

Sale ends in just a few days!

Thursday, January 14, 2010

Come into The Wardrobe and check out our Winter sale!  Everything is 20-75% off and ends this Sunday, January 17.

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  • Markdowns off winter essentials!  Take 20% off these lovely items.
  • 30-50% off hats and scarves!
  • 30-75% off clothing!
  • 50-75% off jewelry case!


Come in today!

xoxo, Style Girl

New Year's Sale!

Wednesday, January 6, 2010

Good bye 2009 and hello 2010!  Let's get ready for the New Year with a wonderful sale!  Come check out The Wardrobe for great deals!
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xoxo, Style Girl